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| 作品名稱： |
POPPOP CRAYONPOP
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| 媒介： |
Helmet
頭盔
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| 大小： |
25cm x 17cm x 27cm
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| 藝術家自白： |
這個頭盔是我最花心血的應援裝備, 用來應援一個韓國偶像組合CRAYON POP。去年我戴著這個頭盔在機場迎接CRAYON POP的時候，被蘋果新聞的記者拍了下來，成了新聞片段, 自此這個頭盔成為了我在朋友間和「後援會」中的標記。
This helmet, on which I spent most effort, is the supporting equipment for a Korean idol group CRAYON POP. I was recorded in a news clip by Next Media when I was wearing this helmet in the airport welcoming CRAYON POP last year. This became the sign between my friends and the fans club.
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| 作品名稱： |
Concern about artists' right
關於對藝人權利的關注
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| 媒介： |
Painting
塑膠彩
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| 大小： |
A2
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| 藝術家自白： |
因為我是一個追星族, 所以我非常關注我的偶像的人權。正因為他們是公眾人物, 大眾都關注著他們, 所以他們有著和我們不同的生活。在這幅畫裡面, 我表達了我對藝人私隱權的關注, 一些狗仔隊和瘋狂歌迷的跟蹤影響了他們的私生活, 這些都是非常令他們不開心的事情。他們的私隱權沒有了，所以畫中白色人物的器官表露無遺地被畫出來, 代表了藝人的私隱已經被公開於世上。而白色的字則代表他們的內心想法, 他們感到絕望, 他們渴望能夠有回自己的私隱。
As an idol chaser, I am concerned a lot about my idols' right. Being celebrities, they lead a different life under the public’s attention. In this painting, I express my concern about artists’ privacy. Their private lives are intruded by paparazzi and some crazy fans who always tail their idols, and this annoys them a lot. The organs of the white person in this artwork symbolize that artists’ private lives are being shown to the public; whereas the white words represent their innermost thoughts – their hopelessness and their wish of having their privacy back.
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